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Choral

Nun danket alle Gott(いざもろとも声たからかに)

kobayashi2008

3:33	Est. Play Time
62	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		35	52	9	8	100%
		38	48	10	5	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		35	52	9	8	100%
		38	48	10	5	98%

Beethoven Symphony No.9 "Choral" in D minor,op.125 Arrangement 貝多芬D小調第九號交響曲-合唱改編

安久琲奈

2:43	Est. Play Time
95	Measures
	1,388Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
C調號		12	15	0	6	82%
C 調單簧管		26	19	4	6	81%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
C調號		12	15	0	6	82%
C 調單簧管		26	19	4	6	81%
Violins I		27	0	5	5	80%
Violins II		21	4	3	6	80%
Bassoons		24	15	3	6	77%
大提琴		24	1	1	6	73%
降C調小號		10	5	0	5	73%
雙簧管		19	14	2	6	65%
低音大提琴		20	0	3	4	61%
Timpani		3	0	0	5	60%
Flutes		22	18	4	6	53%
女高音		13	0	1	5	32%
男高音		10	0	1	5	32%

Zion's Walls (A Choral Arrangement)(WIP)

Cr0cc0H

0:49	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	5	1	4	84%
		21	11	0	4	98%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	5	1	4	84%
		21	11	0	4	98%
Soprano		12	0	1	4	75%
Alto		9	0	0	4	71%
Bass		9	0	1	4	67%
Tenor		10	2	1	4	67%

Evening Canticles in A for Voices In Unison by Sir John Goss

ChurchOrganist

3:48	Est. Play Time
182	Measures
	1,338Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		17	56	5	4	100%
		25	32	6	4	100%
Voices		9	0	1	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		17	56	5	4	100%
		25	32	6	4	100%
Voices		9	0	1	6	100%

Terry Davis - Risen

Corey Martin

0:16	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	0	3	5	100%
		24	0	7	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	0	3	5	100%
		24	0	7	5	100%

Coplas al Santísimo Cristo de la Conversión del Buen Ladrón (Song to the Holy Christ of the Conversion of the Good Thief)

rufinb

5:12	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	48	11	7	100%
		25	21	7	5	96%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	48	11	7	100%
		25	21	7	5	96%
1º Tenor		9	0	1	8	42%
Bass		11	0	1	7	42%
2ª Tenor		9	0	3	8	38%
Tenor Solo		18	0	6	6	34%

Midnight melody

shinobi9909

1:16	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		26	0	4	4	100%
		20	0	3	4	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		26	0	4	4	100%
		20	0	3	4	94%

A Ceremony of Carols 4b "Balulalow" Benjamin Britten

Stulta Auricula

1:17	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Arpa		25	33	8	3	100%
		24	14	8	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Arpa		25	33	8	3	100%
		24	14	8	5	100%
Bajo		14	12	5	5	61%
Tenor		13	8	5	5	61%
Soprano		12	6	3	5	58%
Alto		10	9	3	5	55%
Soprano solo		11	0	2	4	55%

27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach

SDG

0:43	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		13	0	2	4	100%
		11	0	2	4	50%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		13	0	2	4	100%
		11	0	2	4	50%
Horn in F		6	0	0	4	100%
Oboe		6	0	0	4	100%
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	4	5	100%
Viola		10	0	2	5	100%
Contrabass		18	0	3	3	45%
Violoncello		18	0	3	3	45%
Tenor		2	0	0	1	8%

Gloria in Excelsis Deo

clcworship

2:51	Est. Play Time
72	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	53	9	5	100%
		20	3	6	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	53	9	5	100%
		20	3	6	3	100%
Voice I/II		11	0	3	7	67%
		8	0	2	7	67%
B♭ Trumpet I/II		9	0	0	4	56%
		10	0	0	4	54%

Lamentación Tercera del Miércoles Santo (Third Lamentation for Holy Wednesday)

rufinb

8:28	Est. Play Time
200	Measures
	4,881Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		37	134	17	9	98%
		32	95	13	7	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		37	134	17	9	98%
		32	95	13	7	100%
Viola		25	28	10	6	95%
Violoncello		33	1	12	6	93%
Contrabass		24	0	9	6	92%
Violin 2		28	36	13	7	92%
Violin 1		37	14	16	7	91%
Bassoon		29	1	11	7	74%
B♭ Clarinet		36	0	14	8	68%
Bass		19	0	6	9	58%
Horn in E♭		15	0	4	7	57%
Oboe		26	0	12	7	56%
Alto		18	5	5	9	53%
Soprano		21	4	9	9	53%
Tenor		17	2	6	9	53%
Ophicleide or Tuba		21	0	7	6	38%
Flute		22	0	11	6	37%
E♭ Trumpet		21	0	7	5	35%
Tenor Solo		13	0	5	9	16%
Bass solo		12	0	6	8	12%

Libera Me Domine (Deliver Me, Lord)

rufinb

13:47	Est. Play Time
319	Measures
	6,080Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1st Bass		21	1	7	8	82%
Violoncello		31	2	11	8	79%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1st Bass		21	1	7	8	82%
Violoncello		31	2	11	8	79%
2nd Violin		31	34	13	9	79%
Viola		30	41	12	9	79%
1st Violin		37	12	16	9	79%
Bassoon		26	1	10	8	73%
Soprano		22	10	9	8	71%
Alto		16	3	5	9	70%
Tenor		20	9	9	9	70%
B♭ Clarinet		32	0	14	8	69%
2nd Bass		21	0	7	8	65%
Contrabass		24	0	8	6	64%
Horn in F		13	0	4	6	63%
Horn in E♭		13	0	4	5	63%
Trombone		21	0	9	5	57%
Oboe		18	0	8	6	56%
B♭ Trumpet		16	0	7	5	50%
Tuba		22	0	7	5	44%
Flute		15	0	6	6	33%
Timpani		4	0	0	5	26%

Choral Fugue on "O Haupt voll Blut und Wunden" (Opus 67)

schoutens

4:34	Est. Play Time
137	Measures
	1,289Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	68	9	5	99%
		27	0	10	6	99%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	68	9	5	99%
		27	0	10	6	99%
Contrabass		24	1	9	5	99%
Flute		19	0	6	7	53%
Oboe		19	0	7	7	52%
Violoncello		17	0	6	7	50%
Soprano		16	0	6	6	47%
Alto		16	0	5	6	45%
Tenor		18	0	7	6	44%
Bass		18	0	7	5	36%
Voice		6	0	1	2	11%

49. Christus, der uns selig macht. BWV 245.15. Joh. Passion. J.S. Bach.

SDG

0:50	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		22	0	7	4	100%
Contrabass		16	0	6	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		22	0	7	4	100%
Contrabass		16	0	6	4	50%

Ave Maria (1st of 3 Motetes)

rufinb

2:54	Est. Play Time
63	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		31	83	13	6	99%
		26	16	9	5	99%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		31	83	13	6	99%
		26	16	9	5	99%
Soprano Alto		15	0	4	8	84%
		18	6	6	7	87%
Tenor Bass		13	0	3	7	83%
		19	0	5	7	87%

All Night Vigil, Op. 37, 5. "Lord, Now Lettest Thou"

Sethhobi

3:55	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		16	0	5	5	98%
Tenor		7	0	0	7	58%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		16	0	5	5	98%
Tenor		7	0	0	7	58%
		14	0	2	5	96%
Soprano		14	1	2	6	71%
Bass		21	6	4	5	52%

Benedicta es tu (2nd of 3 motets)

rufinb

2:03	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	2	6	100%
Bass		15	1	3	6	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	2	6	100%
Bass		15	1	3	6	100%
Soprano		14	0	4	6	100%
Tenor		11	0	4	6	100%
Organ		21	27	7	4	98%
		20	8	7	4	95%

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